Liz Coats Plenitude & Second Nature
6 - 27 June 2015
I'm interested in ways that formal construction in abstract paintings can be influenced by colour hues and tonality in the immediate surroundings. For instance, assimilation of the fragmentary nature of colours as one sees them filtered through light, or glimpsed at the periphery of vision. Familiar colour and shape sensations like these, shifting through space and line and resistant to absolutes are for me the life in painting.